Tijana Popović Mladjenović is Professor of Musicology at the Faculty of Music, Head of the Musicology Department at the University of Arts in Belgrade. She is a member of the Academia Europaea (Section of Musicology and Art History), as well as the National Council for Scientific and Technological Development of the Republic of Serbia. As a visiting professor, she has also taught at the Jerusalem Academy of Music and Dance, the Lithuanian Academy of Music and Theatre, the Department of Musicology of the University of Ljubljana, the Music Academy of the University of Sarajevo and the Music Academy in Cetinje. Her main research interests include fin de siècle music, poetics of music of the 20th and 21st centuries, aesthetics and philosophy of music, issues of musical thinking and musical time, as well as the relationship between music and other arts. She has authored five books: Musical Writing, 1996 [2015]; E lucevan le stelle (1997); Claude Debussy and His Time (2008); Processes of Pan-stylistic Musical Thinking (2009); Interdisciplinary Approach to Music: Listening, Performing, Composing (as the first author, together with Blanka Bogunović and Ivana Perković; 2014); as well as monographic study The Musical Text and the Ontology of the Musical Work (2017). She has also published more than 130 research papers and co-edited more than 30 collective and individual monographs.