Српски музиколог др Драгана Стојановић-Новичић редовни је професор Катедре за музикологију Факултета музичке уметности у Београду. Била је шеф Катедре за музикологију и етномузикологију и шеф Одсека за музикологију Факултета музичке уметности у Београду. Добитник је гранта „Фулбрајт“ (предавач на колеџу Бард, САД, држава Њујорк, САД), стипендије Министарства науке Републике Србије за постдокторско усавршавање у иностранству (Базел, Швајцарска), истраживачког грантa швајцарске Фондације „Паул Захер“ из Базела и награде српског Министарства науке и технолошког развоја за најбоље младе научнике. Објављује књиге, студије у међународним и домаћим музиколошким часописима (American Music, L’éducation musicale, Contemporary Music Review, New Sound, Музикологија), колективним монографијама и зборницима радова. Учествовала је на око 50 музиколошких конференција у Европи и САД, као и на два научна модула „Жан Моне“. У склопу европског„Еразмус+“ програма, одржала је серију предавања о савременој музици на грчком Универзитету „Аристотел“ у Солуну.

Dr. Dragana Stojanović-Novičić, a Belgrade-born Serbian musicologist, Professor at the Department of Musicology of the Faculty of Music in Belgrade, University of Arts in Belgrade, was the head of the Department of Musicology and Ethnomusicology (2004–2006) and the chair of the Musicology Council (2006–2016) at the Faculty of Music in Belgrade. The primary area of her research is contemporary music (Serbia/Europe/USA). She contributed to The Ashgate Research Companion to Minimalist and Postminimalist Music (2013). She wrote about European and American modernist, avant-garde, experimental, and minimalist composers such as Conlon Nancarrow, Vinko Globokar, Edgar Varèse, John Cage, Győrgy Ligeti, Elliott Carter, Philip Glass, as well as about Serbian modernist, avant-garde, and minimalist composers. She publishes books (among them a book on Vinko Globokar, 2013), articles in peer-reviewed American, Serbian, and French journals (American Music, L'éducation musicale, Contemporary Music Review, New Sound, Musicology, Зборник Матице српске за сценске уметности и музику, Treći program, Свеске, Мокрањац), among which a study on Conlon Nancarrow and Elliott Carter in the American Music journal is of particular interest, and conference proceedings that she also edits. Recently, she coedited the monographs on Stanislav Vinaver and music (2023) and the different approaches to interpreting music (2023). Many of her students have published studies and books written under her mentorship at BA, MA, and PhD levels. Dragana Stojanović-Novičić participated in many conferences in Europe and the USA and two Jean Monnet modules of the European Erasmus+ program (2014–2017; 2017–2021). Within the same program, she held a series of lectures on contemporary European music at the Aristotle University of Thessaloniki (Greece, 2018). As a Fulbright professor and scholar, Stojanović-Novičić taught a Music of the European Avant-Garde and Ear Training at Bard College and conducted research at the John Cage Trust (NY, USA, 2016). She gave a series of talks on Serbian music at Bard College (2009). She organized several musicological theater performances based on topics from the field of 20th-century music. The Ministry of Science of the Republic of Serbia awarded her a scholarship for postdoctoral specialization of young scholars (Switzerland, 2008). Dragana Stojanović-Novičić received a research grant from the Swiss Paul Sacher Stiftung in Basel (2006/7) and an award from the Ministry of Science and Technological Development of the Republic of Serbia for the best young scholars (2002). She also performed as a pianist and gave a solo recital in Zürich (Switzerland, 2015).