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| Issue Date | Title | Author(s) | Type | Мp-cat. |
| 2012 | A Match Not Made in Heaven : Paper and Virtuosity; Or, How and Why the Transcendental Virtuosity of Liszt et al. Came to an End | Cvejić, Žarko   | Conference Paper | |
| 2014 | A Match Not Made in Heaven : Paper and Virtuosity; Or, How and Why the Transcendental Virtuosity of Liszt et al. Came to an End | Cvejić, Žarko | Poglavlje u monografiji | |
| 2021 | An Encounter with Hugo Wolf in his Jubilee Year : Revisiting "Begegnung" | Cvejic, Zarko | Naučni članak | 22M22 - Međunarodni časopis kategorije M22 |
| 2015 | Andrew Bowie and Music in German Philosophy around 1800 : The Case of Kant | Cvejić, Žarko | Book parts | |
| 2019 | Anxieties over technology in Yugoslav interwar music criticism : Stanislav Vinaver in dialogue with Walter Benjamin | Cvejić, Žarko | Article | |
| 2016 | Art in the Context of Crisis | Stanković, Maja | Book parts | |
| 2015 | Demons, Charlatans, and Fallen Angels of Music : Subjectivity in Early 19th-century Philosophy and the Reception of Virtuosity in Contemporary Music Criticism | Cvejić, Žarko | Conference Paper | |
| 2022 | Difrakcije kompozitorskog, muzičko-teorijskog, pedagoškog i društveno-kulturnog stvaranja Berislava Popovića | No authors | Editorial works | |
| 2015 | European Theories in Former Yugoslavia : Trans-theory Relations between Global and Local Discourses | No authors | Editorial works | |
| 2017 | Fallen Angels of Music : Subjectivity in Early 19th-Century Philosophy and the Reception of Virtuosity in Contemporary Music Criticism | Cvejić, Žarko B. | Poglavlje u monografiji | |
| 2015 | Feminine Charms and Honorary Masculinization/De-feminization : Gender and the Critical Reception of the 'Virtuose ', 1815–1848 | Cvejić, Žarko | Naučni članak | 24M24 - Vodeći nacionalni časopis kategorije M24 |
| 2019 | From "Bach" to "Bach's son" : The work of aesthetic ideology in the historical reception of Carl Philipp Emanuel Bach | Cvejić, Žarko | Naučni članak | 24M24 - Vodeći nacionalni časopis kategorije M24 |
| 2016 | From Men to Machines and Back : Automata and the Reception of Virtuosity in European Instrumental Art Music, c. 1815–c. 1850 | Cvejić, Žarko | Article | |
| 2021 | Interpretacije Fantazije, Balade, Odjeka i Posvete srpske muzike : koncertni program Petnaeste međunarodne konferencije Katedre za muzikologiju Fakulteta muzičke umetnosti Univerziteta umetnosti u Beogradu, "Music – Musicology – Interpretation", Beograd, 21–23. oktobar, 2021 = Interpretations of Fantasy, Ballad, Echoes and Dedications in Serbian Music : Concert Programme of the XV International Conference of the Department of Musicology, Faculty of Music, University of Arts in Belgrade, "Music – Musicology – Interpretation", Belgrade, October 21–23, 2021 | No authors | Editorial works | |
| 2015 | Louis Althussers Theory of Ideological Interpellation in the Post-socialist space of the Balkans | Pantić, Rade | Poglavlje u monografiji | |
| 2019 | Music History and the Historicist Imagination : Revisiting Carl Dahlhaus and Leo Treitler | Cvejic, Zarko | Naučni članak | 24M24 - Vodeći nacionalni časopis kategorije M24 |
| 2026 | Muzika kao politička praksa: Ogledi iz političke istorije muzike | Cvejić, Žarko | Monografija | |
| 2016 | The Crisis in Musicology : Transdisciplinary Solutions | Cvejić, Žarko | Poglavlje u monografiji | |
| 2016 | The Crisis in the Humanities : Transdisciplinary Solutions | Nema autora | Uređivački rad | |
| 2020 | The early development of the synthesizer and its impact on contemporary popular music : A research sketch | Cvejić, Žarko | Article | |