| Godina | Naslov | Autor(i) | Tip rezultata | Mp-kat. |
| 2016 | Rhythmanalysis of the Policescape: The Promise of an Ecological Turn in the Practice of Soundscape Studies | Atanasovski, Srđan   | Poglavlje u monografiji | |
| 2020 | Beginnings of the Piano Department at the Belgrade Music Academy | Medić, Ivana | Poglavlje u monografiji | |
| 2017 | Davorin Jenko between Slovenian and Serbian Music. Case Study on Slavonic Music Ideas Migations at the turn of the 20th century | Tomašević, Katarina | Poglavlje u monografiji | |
| 2018 | From Myth to Reality: Stevan Stojanović Mokranjac and Serbian Church Music | Peno, Vesna ; Vesić, Ivana | Article | |
| 2019 | Opera Productions of the Belgrade National Theatre at the Beginning of the 20th Century Between Political Rivalry and Contested Cultural Strategies | Milanović, Biljana | Book parts | |
| 2018 | Stalin’s Music Prize: Soviet Culture and Politics | Medić, Ivana | Reviews | |
| 2012 | Stevan Stojanović Mokranjac and Producing the Image of Serbian Folk-Song: Garlands from »Old Serbia« as a Form of Musical Travelogue | Atanasovski, Srđan | Article | 24M24 - Vodeći nacionalni časopis kategorije M24 |
| 2019 | The Impossible Avant-garde of Vladan Radovanović | Medić, Ivana | Naučni članak | 23M23 - Međunarodni časopis kategorije M23 |
| 2016 | The Soundscape of Change: The Reculturalization of Savamala | Medić, Ivana | Naučni članak | 24+M24+ - Međunarodni časopis kategorije M24+ |
| 2026 | Yugoslav-Soviet Union relations from the 1950s to 1970s: Cooperation, Exchange, and Cultural Transfer through the Composers’ Association of Serbia (UKS) and the Union of Yugoslav Composers (SAKOJ) | Vasiljević, Maja ; Leković, Biljana | Book parts | |
