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| Issue Date | Title | Author(s) | Type | Мp-cat. |
| 2024 | Femininity in the Loop: Repetitive Music, Postdramatic Theatre, and the Construction of Meaning in Two Operas by Serbian Women Composers | Ilic, Ivana  | Article | |
| 2024 | Three Paradigmatic Moments of Serbian Art Music as Self-Representation, pp. 1–19.Три парадигматични момента на сръбската художњствена музика като саморепрезентация) | Mladjenovic, Popovic Tijana  | Conference Paper | |
| 2024 | "Заглушујућа тишина" - "Ноктурно Београдског пролећа године 1999." могућа тумачења значењских слојева аудио траке | Mitrović, Radoš  | Book parts | |
| 2024 | Motivation and personality as factors of musical accomplishments—a developmental and cultural perspective | Bogunovic, Blanka  | Book parts | |
| 2024 | Шуберт Ф. Песни. Десять транскрипций для контрабаса и фп. Ф. Доклянова | Филип Докљанов  | Other | |
| 2024 | Кроз призму терминологије: да ли су српска средњовековна појања ’стара’ и(ли) ’рана’ музика? | Перковић, Ивана  | Conference Paper | |
| 2023 | Музичка култура - за гимназије и стручне школе | Маринковић, Соња  | Text book | |
| 2023 | 南東欧におけるポップフォーク 序論 共同と交換の歴史を概観する (Pop-folk in Southeastern Europe: An Overview of the History of Collaborations and Exchanges) | Nenić, Iva  | Book parts | |
| 2023 | Бразил, деци не треба Бразил – (не)примерена популарна музика за децу | Савовић, Сара  | Conference Paper | |
| 2023 | Self-determination theory perspective on motivation and solo performance among students in higher music education in Serbia | Bogunović, Blanka ; Jovanović Milanović, Olja ; Simić, Nataša ; Mutavdžin, Dejana  | Article | |
| 2023 | Историја музике - за II и III разред средње музичке школе | Маринковић, Соња  | Text book | |
| 2023 | Musicology as an Unbounded Musical and Lived Space-Time - A Conversation with Dr. Tijana Popović Mladjenović | Popović Mlađenović, Tijana ; Petković Lozo, Ivana  | Article | |
| 2023 | Oto Heflerova teorija germanskih ratničkihMännerbundova u vreme Trećeg rajha | Jeremić-Molnar, Dragana ; Molnar, Aleksandar  | Other | |
| 2023 | The Web 2.0 Social Media as a Space for the Creation of Classical Music Experiences in the Time of the Pandemic – the Case of the Belgrade Philharmonic Orchestra | Leković, Biljana ; Nikolić, Sanela  | Article | |
| 2023 | Sacredness and Nationalism: The Three Cornerstones of Serbian Religious Music in the Long 19th Century | Perković, Ivana  | Conference Paper | |
| 2023 | Internet music platforms and streaming services audience – creators, performers and interpreters of new music mass media narratives | Karan, Marija  | Book parts | |
| 2023 | 'Sounding Through the Hollow Reeds': The 'Aeolian Flute Sound' as a Reference to the Myth of Pan and Syrinx | Tomić, Marija  | Conference Paper | |
| 2023 | The Modernist Identity of Compositional Practice in 1960s Belgrade: Petar Osghian’s Meditations (1962), Silhouettes (1963), and Sigogis (1967) | Mladjenovic, Popovic Tijana  | Article | |
| 2023 | Vokalne minijature Borivoja Popovića | Todorović, Dragana  | Book parts | |
| 2023 | Музичка култура 7 - уџбеник за 7. разред основне школе | Грујић, Габријела ; Соколовић Игњачевић, Маја ; Кесић, Саша; Лековић, Биљана  | Text book | |