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| Issue Date | Title | Author(s) | Type | Мp-cat. |
| 2022 | The Topos of Transcendence in the Baroque Music Drama | Stefanović, Ana   | Conference Paper | |
| 2022 | Cross-curricular learning in higher music education - entepreneurial bootcamp for music students "Music - here and now" | Perković, Ivana ; Vuksanović, Ivana ; Jelenković Vidović, Dušanka; Petrović, Milica Z. | Conference Paper | |
| 2022 | A New Concept of Teaching and Learning Abba’s Songs in the University Solfeggio Classroom | Petrović, Milena | Article | |
| 2022 | Claude Debussy’s Préludes in the Realm of Synesthesia. Seeing music and/or hearing painting | Mladjenović, Popović Tijana ; Petković, Ivana Lozo ; Nestorović, Neda ; Simonović, Marija | Conference Paper | |
| 2022 | Солфеђо - за I разред шестогодишње основне музичке школе | Милетић, Александра ; Дробни, Ивана | Text book | |
| 2022 | Prikaz doktorske disertacije Marka R. Aleksića "Uloga harmonije u formiranju mreže interpretativnih odnosa u nemačkoj operi i simfonijskom lidu druge polovine devetnaestog i početka dvadesetog veka" | Stefanović, Ana | Contribution to periodical | |
| 2022 | The Internet as a space for the creation of classical music experiences within the time of pandemic – the case of Belgrade Philharmonic Orchestra | Nikolić, Sanela ; Leković, Biljana | Conference Paper | |
| 2022 | XIV Međunarodna konferencija o muzičkoj teoriji i analizi Interdisciplinarity of Music Theory: Knowledge of Music between History, Poetics, Theories, and Criticism | Aleksić, Marko | Reviews | |
| 2022 | Аспекти теорије плесног стила: мотиви као чинилац диференцирања колективног и индивидуалног стила извођења српског кола | Zivkovic, Anastasija | Article | |
| 2022 | Свака птица својим гласом пева | Radinović, Sanja | Reviews | |
| 2022 | Сегменти некадашњег свадбеног обреда у казивањима Срба с Пештерске висоравни | Petrović, Ana | Article | |
| 2022 | “Listening is a performative act” – Case Study of David Helbich | Mitrović, Radoš | Conference Paper | |
| 2022 | Musicological ‘Garden of Earthly Delights’ and ‘Infinity of Lists’. In-Between Analysis and Interpretation | Mladjenovic, Popovic Tijana | Conference Paper | |
| 2022 | Solo Songs by Miloje Milojević: An Example of Crossing the Borders in Serbian Music of the First Half of the Twentieth Century, 55 | Stefanović, Ana | Other | |
| 2022 | Crossing the borders in Serbian solo song of the first half of the 20th century | Stefanović, Ana | Conference Paper | |
| 2022 | Beneath the surface of learning preferences in music education: The structure of the adapted Kanevsky’s possibilities for learning questionnaire | Dejana Mutavdžin ; Bogunović, Blanka ; Jovanović, Olja | Conference Paper | |
| 2022 | Music as a Tool for Cultural Communication Between China and Serbia: The Academic Exchange and the Performance(s) of the Collegium Musicum Choir in China | Perković, Ivana ; Yuanning Zhang, PhD student | Article | |
| 2022 | Значај инструмента кла(ри)нета у музичкој традицији Голије | Miljkovic, Borisav | Article | |
| 2022 | Солфеђо - за IV разред шестогодишње основне музичке школе | Милетић, Александра ; Стојановић, Гордана; Николић, Зоран | Text book | |
| 2022 | Zoran Božanić, Metodika nastave kontrapunkta | Belić, Senka | Reviews | |
Univerzitet umetnosti u Beogradu, Fakultet muzičke umetnosti
