| Issue Date | Title | Author(s) | Type | М-cat. |
| 2021 | L’adorable arabesque totale, que me veux-tu? Circular Motion From Periphery to the Center of Meaning of the Musical Composition Syrinx by Claude Debussy (✓) | Petković, Ivana Lozo   | Conference Paper | |
| 2021 | Značaj i implementacija motiva u okviru (metodike) nastave solfeđa (✓) | Dubljević, Jelena O. | Conference Paper | |
| 2021 | Нова традиција у композиторском стваралаштву Драгана Николића (✓) | Rankovic, Sanja ; Закић, Мирјана | Conference Paper | |
| 2021 | Етномузиколошко дело Косте П. Манојловића на "таласима сећања"’ (✓) | Radinović, Sanja | Conference Paper | |
| 2021 | "Music as Metaphor and Narrative in Music drama" (✓) | Stefanović, Ana | Conference Paper | |
| 2021 | Zorica Premate (Ed.), Tribine Novi zvučni prostori. Zbornik. Beograd: Centar za muzičku akciju, RTS izdavaštvo, 2019 (✓) | Mitrović, Radoš | Reviews | |
| 2021 | "Serbian Music Neo-Avantgarde: OPUS 4 Composer Collective and Ensemble for Different New Music" (✓) | Marija Masnikosa ; Miladinović, dr Ivana Prica | Conference Paper | |
| 2021 | Regionalism in Music: Pop-folk in Southeastern European Countries (✓) | Nenić, Iva S. | Book parts | |
| 2021 | Écoutant la musique de Pan: о онтолошком потенцијалу 'паузе' у Дебисијевом делу "Сиринкс" (✓) | Томић, Марија | Article | |
| 2021 | Berislav Popović: Varijacije za klavir, Gudački kvartet, Igra senke za duvački kvintet i Balada za gudače (✓) | Mladjenovic, Popovic Tijana | Book parts | |
| 2021 | Феномен ритма из психоаналитичке перспективе и импликације за музичку педагогију (✓) | ОʹБрајен, Нада | Book parts | |
| 2021 | Urban Soundscape Studies: Disciplinary shapes, theoretical tools and applicability (✓) | Nikolić, Sanela | Conference Paper | |
| 2021 | Solo performances in heterophonic vocal practice as one of the types of transformation of the traditional vocal expression of Serbs from Pešter (✓) | Petrović, Ana | Conference Paper | |
| 2021 | Teorija arijevskog Männerbunda (✓) | Dragana Jeremić-Molnar ; Aleksandar Molnar | Book parts | |
| 2021 | Le Quintette pour clarinette et cordes op.89 d’Antoine Reicha (✓) | Stefanović, Ana | Conference Paper | |
| 2021 | Ubi sunt dracones? On spatial representations of form in serbian music theory (✓) | Ilić, Ivana | Book parts | |
| 2021 | Polyperspectivity in the Opera ‘David et Jonathas’ by Marc-Antoine Charpentier, 147 (✓) | Stefanović, Ana | Conference Paper | |
| 2021 | Grafički dizajn nastavne literature za Solfeđo/ Graphic Design of Instructional Literature for Solfeggio (✓) | Drobni, Ivana Đ. ; Marković, Vedrana | Conference Paper | |
| 2021 | Music and Christian Orthodox Religious Identity in Serbia between 1989 - and 2021 Seen Through the Believing/Belonging Paradigm. Visualization - Techniques and Underlying Musicological Data (✓) | Ivana Perković ; Marina Marković ; Milica Petrović | Conference Paper | |
| 2021 | Serbian Musicological Discourse on Musical Neoclassicism and the European Perspective (✓) | Leković, Biljana M. | Conference Paper | |
Univerzitet umetnosti u Beogradu, Fakultet muzičke umetnosti
