| Issue Date | Title | Author(s) | Type | Мp-cat. |
| 2018 | Image as a Way of Self-Representation, Association and Type Creation for Late Antique Women in the Central Balkans | Anđelković Grašar, Jelena  | Book parts | |
| 2018 | Storytelling. Is there a beter method of archaeological site interpretation? | Tapavički-Ilić, Milica D. ; Jelena Anđelković Grašar  | Conference Paper | |
| 2017 | Мотив меандра и његови прикази на касноантичким зидним сликама у Србији | Николић, Емилија ; Рогић, Драгана ; Анђелковић Грашар, Јелена  | Article | |
| 2017 | Viminacium: Research, Protection and Recognition | Nikolić, Emilija ; Anđelković Grašar, Jelena ; Gavrilović, Dragana  | Book parts | |
| 2017 | Izdavačka delatnost Arheološkog instituta | Anđelković Grašar, Jelena P.  | Book parts | |
| 2017 | Finds in the late iron age tradition from the Roman graves of Viminacium | Tapavički-Ilić, Milica ; Anđelković-Grašar, Jelena  | Article | |
| 2017 | Drugi međunarodni simpozijum na Viminacijumu: 'The Impactof Dialogue with Visitorson – AOAMManagement', 29. septembar – 3. oktobar 2014. godine | Tapavički-Ilić, Milica D. ; Anđelković Grašar, Jelena P.  | Book parts | |
| 2017 | Pictorial Elements and Principles in the Creation of the Ancient Image Using the Example of Viminacium Funerary Paintings | Anđelković Grašar, Jelena ; Nikolić, Emilija ; Rogić, Dragana  | Conference Paper | |
| 2017 | Пола века Хомољских мотива (1968-2017): мирис јоргована у долини златоносног Пека | Lajić Mihajlović, Danka R. ; Anđelković Grašar, Jelena P.  | Monograph | |
| 2017 | Završetak projektaOpenArch i snimanje filmaInteraction with Visitorsin Archaeological Open-Air Museums | Anđelković Grašar, Jelena P. ; Tapavički-Ilić, Milica D.  | Book parts | |
| 2016 | Life after death-light after death. Motifs on oil lamps from the cemetery Kod Bresta - Viminacium | Anđelković Grašar, Jelena P. ; Tapavički-Ilić, Milica D.  | Article | |
| 2016 | Itinerarium Romanum Serbiae - La Ruta de los Emperadores Romanos en Serbia - Viminacium, April 2016, Exhibition inSantiago, Chile | Korać, Miomir ; Anđelković, Jelena ; Nikolić, Emilija ; Mikić, Ilija  | Arch works | |
| 2016 | Imaging the feminine during the Migration Period on the territory of the Central Balkans: transferring ideas and ideals | Anđelković, Jelena  | Conference Paper | |
| 2016 | Slika žene u vizuelnoj kulturi rane Vizantije na prostoru centralnog Balkana | Anđelković Grašar, Jelena  | Doctoral theses | |
| 2015 | Female Power that Protects: Who Is the Woman Who Takes Care of the City? Goddess Protectresses on the Territory of the Central Balkans in Late Antiquity | Anđelković Grašar, Jelena  | Article | |
| 2015 | Mural Painting of a Roman Lady from Viminacium: From Roman Matron to the Modern Icon | Anđelković, Jelena ; Tapavički-Ilić, Milica  | Article | |
| 2015 | Funerary images of women in tomb frescos of the late antique and early byzantine period from the central Balkans | Anđelković-Grašar, Jelena  | Book parts | |
| 2015 | Funerary images of women in tomb frescoes of the Late Antique and Early Byzantine period from the Central Balkans | Anđelković, Jelena  | Conference Paper | |
| 2015 | Travelling Motif: Viminacium artistic officina as a Paradigm of the Late Antique Painting Fashion | Rogić, Dragana ; Anđelković, Jelena  | Article | |
| 2015 | A portrait oil lamp from Pontes: Possible interpretations and meanings within early Byzantine visual culture | Petković, Sofija ; Tapavički-Ilić, Milica ; Anđelković-Grašar, Jelena  | Article | |