| Godina | Naslov | Autor(i) | Tip rezultata | Mp-kat. |
| 2017 | Avangardna imaginacija u Pustolini humanizma avangarde | Veselinović-Hofman, Mirjana R.  | Konferencijski rad | |
| 2017 | The facets of the decline of avant-garde exclusivity as the cause of specific stylistic connotations of the musical avant-garde today | Veselinović-Hofman, Mirjana R.  | Poglavlje u monografiji | |
| 2017 | What, how, and why in Serbian music after the Second World War, in the light of ideological-political upheavals | Veselinović-Hofman, Mirjana  | Naučni članak | 24M24 - Vodeći nacionalni časopis kategorije M24 |
| 2017 | The Relationship between the avant-garde as the mode and its reception as the modality, exemplified on Phonation by Serbian composer Ana Gnjatović | Veselinović-Hofman, Mirjana R.  | Konferencijski rad | |
| 2017 | A Word from the Editor Toward Removing the Borders Between the Centre and the Periphery - The New Sound at 25 | Veselinović-Hofman, Mirjana  | Other | |
| 2017 | Rekonstrukcija fragmenata dekonstruisane reference kao estetičko-poetički princip Aleksandra Perunovića, na primeru njegovog Hommage a Czerny za dva klavira i elektroniku | Veselinović-Hofman, Mirjana R.  | Book parts | |
| 2017 | On the Future of Music History in the Professional and Central-Peripheral European Musical Circumstances | Veselinović-Hofman, Mirjana R.  | Conference Paper | |
| 2016 | The Human Voice in its Transitional Identities | Veselinović-Hofman, Mirjana R.  | Book parts | |
| 2016 | Идентитетске метаморфозе узорка у циклусу композиција Сонети за женски глас, виолончело, клавир и електронику Светлане Савић | Veselinović-Hofman, Mirjana  | Conference Paper | |
| 2016 | Identitetske metamorfoze uzorka u ciklusu kompozicija Soneti za ženski glas, violončelo, klavir i elektroniku Svetlane Savić | Veselinović-Hofman, Mirjana R.  | Book parts | |
| 2016 | Musicology and the Measure of Transdisciplinarity | Veselinović-Hofman, Mirjana R.  | Book parts | |
| 2016 | The Final Radicalism of the Avant-Garde and its Postmodernist Consequence (for plenary panel) | Veselinović-Hofman, Mirjana R.  | Conference Paper | |
| 2016 | Novi život partizanskih pesama | Veselinović-Hofman, Mirjana  | Monograph | |
| 2016 | The Facets of the Decline of Avant-Garde Exclusivity as the Cause of Specific Stylistic Connotations of the Musical Avant-Garde Today | Veselinović-Hofman, Mirjana R.  | Conference Paper | |
| 2016 | Pojam muzičkog ukusa u napisima Pavla Stefanovića | Veselinović-Hofman, Mirjana R.  | Conference Paper | |
| 2016 | Silence in the Score Notation and in the Sound Appearance of Music: Silence as 'Image' and as 'Sound | Veselinović-Hofman, Mirjana R.  | Conference Paper | |
| 2016 | A Piece of Music in the Dynamic of the Relationship between Artefact and Fact | Veselinović-Hofman, Mirjana R.  | Conference Paper | |
| 2015 | U crnoj kutiji Koncertantne muzike Petra Bergama. O kompozitorskoj recepciji ovog dela u srpskoj muzici, u svetlu autorovih estetičko-poetičkih gledišta | Veselinović-Hofman, Mirjana  | Book parts | |
| 2015 | Identiteske metamorfoze uzorka u ciklusu kompozicija 'Soneti' za ženski glas, violončelo, klavir i elektroniku Svetlane Savić | Veselinović-Hofman, Mirjana  | Conference Paper | |
| 2015 | Musicology and the measure of transdisciplinarity | Veselinović-Hofman, Mirjana  | Conference Paper | |