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Research outputs

Music Theory in Serbia: Tracing the Legitimation of the Disciplinary Identity   [2022]

Ilic, Ivana  

The Polish school, Johann Sebastian Bach, and The Gospel according to St. John in an avant-garde synergy - Music of becoming (1965) by Serbian composer Rajko Maksimović   [2021]

Stojanović-Novičić, Dragana  

The musical force of the magnetic field: on the latest creative phase in the works of Jasna Veličković   [2021]

Ilić, Ivana  

The Role of the Third Program of Radio Belgrade in the Presentation, Promotion, and Expansion of Serbian Avant-Garde Music in the 1960s and 1970s   [2022]

Medić, Ivana  

A Diptych of Eidetic Imagery and an Acoustic Essay on Time: The Road to Damascus and The First Eastern Dream by Ivana Stefanovic   [2023]

Petkovic-Lozo, Ivana  

Femininity in the Loop: Repetitive Music, Postdramatic Theatre, and the Construction of Meaning in Two Operas by Serbian Women Composers   [2024]

Ilic, Ivana  

Serbian late twentieth-century neo-avant-garde - minimalist music by Vladimir Tošić and Miroslav Miša Savić   [2021]

Masnikosa, Marija  

(Post)Minimalism and Postmodern Spirituality: Vuk Kulenović’s Hilandar Bells   [2024]

Medić, Ivana  

Contemporary Music Review Vol. 41, No. 5-6   [2022]

Byzantium as a Metaphor for Identity in Serbian Music   [2022]

Milin, Melita

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