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Rezultati

Book review: Juan Bermúdez, Musicking TikTok: A Musical Ethnography from a Glocal Austrian Context, Bloomsbury Academic, 2025.   [2025]

Radovanović Šuput, Bojana  

Artificial Intelligence, Post-Work and Music Labor   [2024]

Atanasovski, Srđan  

Process in the aesthetical and theoretical thought of Karlheinz Stockhausen   [2018]

Novaković, Monika  

Nina Sun Eidsheim and Katherine Meizel (Eds.), The Oxford Handbook of Voice Studies, Oxford: Oxford University Press, 2019.   [2020]

Radovanović, Bojana  

Quantum Music, International Interdisciplinary Project (2015-18), Creative Europe, EACEA (559695-CREA-1-2015-1-RS-CULT-COOP1)   [2018]

Medić, Ivana N.  

Recycling Postmodernism. Trendsetters, trends and Pandora, Double Concerto for Viola, Cello and Orchestra (2022) by Lazar Đorđević   [2022]

Bralović, Miloš  

INSAM Journal of Contemporary Music, Art and Technology 8 (I/2022)   [2022]

Ivana Medić, Theory and Practice of Gesamtkunstwerk in the 20th and 21st Centuries – Karlheinz Stockhausen’s Operatic Cycle LIGHT/LICHT; Belgrade: Institute of Musicology SASA, 2019, ISBN 978-86-80639-33-8   [2020]

Novaković, Monika  

Hatsune Miku: Whose Voice, Whose Body?   [2018]

Sabo, Adriana I. 

INSAM Journal of Contemporary Music, Art and Technology 6 (I/2021)   [2021]

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