Претрага
Резултати
Self-parodical Consequences of Operatic Parody. The Perfect American (Jungk – Wurlitzer – Glass) (✓) [2013]
Jeremić-Molnar, Dragana V.![](/image/people_icon_ico.png)
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Радио-Београд у контексту модернизације српског друштва између два рата (✓) [2007]
Leković, Biljana![](/image/people_icon_ico.png)
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Intertextual and Citation Procedures in Garlands and Related Forms in Serbian Choral Music in the Second Half of XX Century [2017]
Božidarević, Saša V.![](/image/people_icon_ico.png)
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Surpasing improvisation? Stockhausen's concept of Intuitive Music (✓) [2008]
Dragana Jeremić-Molnar![](/image/people_icon_ico.png)
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"Simfonijski prolog" Milenka Živkovića (✓) [1997]
Aleksandra Paladin![](/image/people_icon_ico.png)
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Dejan Despić: Muzička nedelja - sedam karakternih komada, op. 123 - za dva violončela, o dijalogu (✓) [1998]
Tomašević, Katarina![](/image/people_icon_ico.png)
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Dragutin Gostuški 1923-1998 (✓) [1999]
Tomašević, Katarina![](/image/people_icon_ico.png)
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Srpska muzika na raskršću istoka i zapada? - o dijalogu tradicionalnog i modernog u srpskoj muzici između dva svetska rata (✓) [2004]
Tomašević, Katarina D.![](/image/people_icon_ico.png)
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ANOTHER CONTEMPORARY CONTRIBUTION TO THE CONTEXTUALIZATION OF THE PASSACAGLIA About Jugoslav Bošnjak’s work Sinfonia – passacaglia (✓) [2008]
Dragana Jeremić-Molnar![](/image/people_icon_ico.png)
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Vladan Radovanović: Fonoverzum – elektroakustička muzika/Phonoverse – Electroacoustic Music [2011]
Srećković, Biljana![](/image/people_icon_ico.png)
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Филтери
По типу
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