| Godina | Naslov | Autor(i) | Tip rezultata | Mp-kat. |
| 2024 | Three Paradigmatic Moments of Serbian Art Music as Self-Representation, pp. 1–19.Три парадигматични момента на сръбската художњствена музика като саморепрезентация) | Mladjenovic, Popovic Tijana   | Konferencijski rad | |
| 2024 | What Alfred Schnittkeʼs Viola Concerto ʻtells meʼ | Mladjenovic, Popovic Tijana | Konferencijski rad | |
| 2024 | The hermeneutic fragment on the meaning of the musical work | Mladjenovic, Popovic Tijana | Konferencijski rad | |
| 2023 | Under the Neapolitan Masque, there were Two Men with many Artistic Faces: Encounters of Igor Stravinsky and Pablo Picasso in the Artistic Realm of the Ballet Pulcinella | Mladjenović, Popović Tijana ; Petković, Ivana Lozo | Konferencijski rad | |
| 2023 | Fantastic Landscapes of Interpreting Music | Mladjenovic, Popovic Tijana | Poglavlje u monografiji | |
| 2023 | Curricular Transformation, Methods of Liberation and Creative Freedom: Teaching and Learning Innovations at the Oldest Higher Music Education Institution in Serbia - Faculty of Music in Belgrade | Perković, Ivana ; Mladjenovic, Popovic Tijana | Konferencijski rad | |
| 2023 | Оглед о имобилизацији времена и увеличавању простора из теоријско-естетичке визуре Драгутина Гостушког | Mladjenovic, Popovic Tijana | Konferencijski rad | |
| 2023 | Musicology as an Unbounded Musical and Lived Space-Time - A Conversation with Dr. Tijana Popović Mladjenović | Popović Mlađenović, Tijana ; Petković Lozo, Ivana | Naučni članak | 24M24 - Vodeći nacionalni časopis kategorije M24 |
| 2023 | The Modernist Identity of Compositional Practice in 1960s Belgrade: Petar Osghian’s Meditations (1962), Silhouettes (1963), and Sigogis (1967) | Mladjenovic, Popovic Tijana | Naučni članak | 21M21 - Vodeći međunarodni časopis kategorije M21 |
| 2023 | Fantastic landscapes of interpreting music | Popović Mlađenović, Tijana | Poglavlje u monografiji | |
| 2022 | Musicological ‘Garden of Earthly Delights’ and ‘Infinity of Lists’. In-Between Analysis and Interpretation | Mladjenovic, Popovic Tijana | Konferencijski rad | |
| 2022 | Claude Debussy’s Préludes in the Realm of Synesthesia. Seeing music and/or hearing painting | Mladjenović, Popović Tijana ; Petković, Ivana Lozo ; Nestorović, Neda ; Simonović, Marija | Konferencijski rad | |
| 2022 | Claude Debussy’s Préludes in the Realm of Synesthesia. Seeing music and/or hearing painting? | Mladjenović, Popović Tijana ; Petković, Ivana Lozo ; Nestorović, Neda ; Simonović, Marija | Poglavlje u monografiji | |
| 2022 | Josip Slavenski’s Balkanophony for Symphonic Orchestra - Music in the Balkans Crossing the Borders | Mladjenovic, Popovic Tijana | Konferencijski rad | |
| 2022 | O životu i delu kompozitora i muzičkog teoretičara Berislava Popovića | Mladjenovic, Popovic Tijana | Konferencijski rad | |
| 2022 | The Modernist Achievements of Belgrade's Musical and Painting Environment of the mid-1960s | Mladjenovic, Popovic Tijana | Naučni članak | |
| 2022 | Frédéric Chopin’s Preludes Op. 28 as a Cycle. Berislav Popović’s Deliberations on the Phenomenon of Directionality of Complex Music-Formal Entities | Popović Mlađenović, Tijana ; Petković Lozo, Ivana | Book parts | |
| 2021 | Berislav Popović: Varijacije za klavir, Gudački kvartet, Igra senke za duvački kvintet i Balada za gudače | Mladjenovic, Popovic Tijana | Book parts | |
| 2021 | A Prolegomenon. Fragments of Music, Painting and Word by Berislav Popović | Mladjenovic, Popovic Tijana | Conference Paper | |
| 2021 | Fantastic Landscapes of Interpreting Music | Mladjenovic, Popovic Tijana | Conference Paper | |
Popović-Mlađenović, Tijana
