| Issue Date | Title | Author(s) | Type | Мp-cat. |
| 2012 | Консеквенце Вагнерове музичке драме у француској књижевности и Пелеасу и Мелисанди Клода Дебисија - где, зашто, како и куда? | Popović-Mlađenović, Tijana  | Article | |
| 2012 | Štrausova i Hofmanstalova Arijadna na Naksosu i kulturalna tradicija | Popović-Mlađenović, Tijana  | Book parts | |
| 2012 | The Potentials of Self-Representation in the Serbian Music of Romanticism. Stevan Stojanović Mokranjac (1856-1914) - In the Past and Now | Popović-Mlađenović, Tijana B.  | Book parts | |
| 2012 | The Longing for Lost Time and Utopian Space of the Musically Fantastic | Popović-Mlađenović, Tijana  | Book parts | |
| 2012 | Nature versus culture – Interviews with composers | Brkljačić, Ivan ; Erić, Zoran; Gnjatović, Ana; Hofman, Srđan; Milošević, Tatjana; Nikodijević, Marko; Radovanović, Vladan; Savić, Svetlana ; Stefanović, Ivana; Tošić, Vladimir;
| Contribution to periodical | |
| 2012 | Muzička struktura i emocionalni odgovor | Popović-Mlađenović, Tijana ; Bogunović, Blanka ; Perković, Ivana  | Conference Paper | |
| 2012 | Music has a Vision – Listening to Others and Oneself Through It | Popović-Mlađenović, Tijana  | Conference Paper | |
| 2012 | Music has a Vision - Listening to Others and Oneself Through It | Popović-Mlađenović, Tijana B.  | Book parts | |
| 2012 | The Cultural Context and Modernist Identity of Belgrades Musical Environment of the Mid-1960s | Popović-Mlađenović, Tijana  | Book parts | |
| 2012 | The Consequences of Wagners music drama in Pelléas et Mélisande by Claude Debussy – Where, how, why and whereto? | Popović-Mlađenović, Tijana  | Book parts | |
| 2011 | Hofmanstalova i Štrausova Arijadna na Naksosu i kulturalna tradicija | Popović-Mlađenović, Tijana  | Conference Paper | |
| 2011 | The Power of Music: the Possibility of Positioning Oneself towards the World and Time | Popović-Mlađenović, Tijana  | Conference Paper | |
| 2011 | Ariadnes Thread of Opera in the Opera – Ariadne auf Naxos by Richard Strauss | Popović-Mlađenović, Tijana  | Conference Paper | |
| 2011 | Predavanje po pozivu: Recepcija stvaralaštva St. St. Mokranjca u kontekstu savremene pisane reči o muzici | Popović-Mlađenović, Tijana  | Conference Paper | |
| 2011 | The Possibility and Purpose of Disciplinary Intersections and Permeations: The Case Study of Regers Variationen und Fuge über ein Thema von Joh. Seb. Bach for Piano, Op. 81 | Popović-Mlađenović, Tijana  | Book parts | |
| 2011 | Recepcija stvaralaštva St. St. Mokranjca u kontekstu savremene pisane reči o muzici | Popović-Mlađenović, Tijana  | Article | |
| 2011 | Les maîtres du marteau, du faune et du temps | Popović-Mlađenović, Tijana  | Conference Paper | |
| 2011 | 5 leksikografskih jedinica - Balada, Božičević Ivan, Borisavljević Vojislav (Vojkan), Bogosavljević Dragutin, Bingulac Petar | Popović-Mlađenović, Tijana B.  | Encyclopedia entries | |
| 2010 | Kreativni odgovor studenata prve godine na integrativni model nastave istorije muzike (u okviru reformisanih studijskih programa FMU) | Perković, Ivana ; Masnikosa, Marija ; Popović-Mlađenović, Tijana  | Book parts | |
| 2010 | The Voices of Debussy`s Letters as Something More and Something Less than (Auto)Biography | Popović-Mlađenović, Tijana B.  | Book parts | |