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The Virtuoso under Subjection : How German Idealism Shaped the Critical Reception of Instrumental Virtuosity in Europe, c. 1815–1850
| Title: | The Virtuoso under Subjection : How German Idealism Shaped the Critical Reception of Instrumental Virtuosity in Europe, c. 1815–1850 | Authors: | Cvejić, Žarko |
Issue Date: | 2011 | Type: | Doctoral theses | Collation: | str. 1-379 | URI: | https://enauka.gov.rs/handle/123456789/931744 | URL: | https://ecommons.cornell.edu/items/b0af25fe-925f-47c9-aded-0b2332faf98c https://ecommons.cornell.edu/server/api/core/bitstreams/a7f96bd8-c625-4d9d-980f-a53840630d70/content https://hdl.handle.net/1813/30747 |
Metadata source: | (Preuzeto iz ORCID-a) Cvejić, Žarko | M-category: | 70M70 |
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