The Virtuoso under Subjection : How German Idealism Shaped the Critical Reception of Instrumental Virtuosity in Europe, c. 1815–1850

Cvejić, Žarko

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Naziv:	The Virtuoso under Subjection : How German Idealism Shaped the Critical Reception of Instrumental Virtuosity in Europe, c. 1815–1850
Autori:	Cvejić, Žarko
Godina:	2011
Tip rezultata:	Doktorska disertacija
Kolacija:	str. 1-379
URI:	https://enauka.gov.rs/handle/123456789/931744
URL:	https://ecommons.cornell.edu/items/b0af25fe-925f-47c9-aded-0b2332faf98c https://ecommons.cornell.edu/server/api/core/bitstreams/a7f96bd8-c625-4d9d-980f-a53840630d70/content https://hdl.handle.net/1813/30747
Izvor metapodataka:	(Preuzeto iz ORCID-a) Cvejić, Žarko
M-kategorija:	70M70 - Odbranjena doktorska disertacija

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